What I Learned When I Turned Nine
By Cruz Villarreal
The bathroom mirror affirmed the innocence
of my ignorance.
The only color a child should see,
is reflected in the maple tree of fall
or the coral and pastel hues of roses in spring.
By Cruz Villarreal
The bathroom mirror affirmed the innocence
of my ignorance.
The only color a child should see,
is reflected in the maple tree of fall
or the coral and pastel hues of roses in spring.
But on my names day, my friend said,
“Let’s go to the movies, we’ll have ice-cream on the way.”
A soft concoction of chocolate and vanilla swirl
the sweetness blended and inseparable
like we once were.
Our goodness to be soon consumed.
My first movie.
He said that he would pay
because he had a little but I had less.
You see—my friend was sparrow-rich
and I was church mouse poor.
101 Dalmatians was in town.
It was exciting to be in line.
And then a boy my size,
Lassie’s Timmy came to mind.
Who like a lion, snarled and roared.
He bore his teeth and spat at me
because I was brown and he was not.
He spat at me and cursed my friend
because he was white and I was not.
With his father’s voice—
he changed my name to Spic.
He caused the candles of my cake to die,
the maple leaves to fall and roses fade.
Then I saw the world in painful clarity
like magnets in reverse polarity.
My color repels and casts away.
Back then, I thought I was the same,
that one boy brown and one boy white were all alike.
That one and one was one
a blended concoction of chocolate and vanilla swirl
the sweetness mingled and inseparable.
But what I learned when I turned nine—
is they were white,
and I was not,
that one boy brown and one boy white were not alike.
That blended and inseparable goodness
was consumed like tissue on a fire—
the day my innocence, lay on the funeral pyre.
Cruz Villarreal is a local Lansing, Michigan, area poet. A first generation American from Mexican parents, he was born in Carrizo Springs, Texas, and still caries many of the Mexican traditions given him by his parents. He enjoys creative writing, and several of his works have been published locally. More of his work can be read at cruzpoet.openlcc.net. Readers are encouraged to leave comments or suggestions on how to improve his work.
Every Drop of Light
By Hamish Todd
Before the thought is lost
And the blue ink smudges
Beyond recognition
On the temporal page
Every drop of light
Finds its way
By Hamish Todd
Before the thought is lost
And the blue ink smudges
Beyond recognition
On the temporal page
Every drop of light
Finds its way
To the surface
Like water runs downward
Light is all around us
Aiming up into the sky
As well as down
Directly into our heart
Hamish Todd
"The girl in this picture, with the image of one of her forefathers in her mind, expresses the notion that we are better off the more we know, and that there is power and strength in knowing, and being able to draw upon, the wisdom of our ancestors. The portrait speaks not only for herself, but for those who came before her. In this case, like in so many cases, for so many races, her ancestor appears to me as a farm worker, who is new to this country, worked a hard back breaking low paying job and felt plenty desperate at times, but there she is now, the fruits of his daughter's daughter's seed."
Flames
By Ali Ashhar
The horizon of fraternity
is overshadowed
by the clouds of injustice
I conceive a disease that has swept
the nooks and crannies of the earth
a disease whose fatality knows no count,
a disease whose vaccine is yet to be found
I open my eyes and witness
By Ali Ashhar
The horizon of fraternity
is overshadowed
by the clouds of injustice
I conceive a disease that has swept
the nooks and crannies of the earth
a disease whose fatality knows no count,
a disease whose vaccine is yet to be found
I open my eyes and witness
so much pain
deep inside
sufferings on the border,
sufferings in the town,
sufferings in the tribe,
sufferings beneath the layers of skin,
sufferings on the languages of tongue—
a flame ravaging over the ages
pain that comes to humanity
under the disguise
of colour, caste, religion or language
pain that is indifferent to mankind
of gender and generation
yet different to human beings
of prejudice and pride—
a homogenous theme that
haunts heterogeneous stories.
Ali Ashhar is a poet, short story writer and columnist from Jaunpur, India. He is the award-winning author of the poetry collection, Mirror of Emotions. His works appear in Indian Review, The Raven Review, Bosphorus Review of Books, among others.
Without a Moral Compass
By Russell Willis
It is without a sense of expectation that we come
No hope that guides or drives
No goal to reach, no job to do
Simply continue on our way as if the puzzle’s
Solved the moment we arrive at where we’ve come
By Russell Willis
It is without a sense of expectation that we come
No hope that guides or drives
No goal to reach, no job to do
Simply continue on our way as if the puzzle’s
Solved the moment we arrive at where we’ve come
To finally raise our eyes to see
That which is now
Need not have been
If looking up had been required
Before we set upon this path
Russell Willis won the Sapphire Prize in Poetry in the 2022 Jewels in the Queen’s Crown Contest (Sweetycat Press) and has published poetry in thirty online and print journals and twenty print anthologies. Russell grew up in and around Texas and was vocationally scattered as an engineer, ethicist, college/university teacher and administrator, and Internet education entrepreneur throughout the Southwest and Great Plains, finally settling in Vermont with his wife, Dawn. He emerged as a poet in 2019 with the publication of three poems in The Write Launch. Russell’s website is https://REWillisWrites.com