A magazine focusing on the intersection
of art and action to create greater
social, racial and economic justice

“please, please, please I can't breathe”
-
Last words of George Floyd
“We can try to make it so everyone can breathe“
- Koon Woon - Co-founder of Breathe

May 4, 2026

Published weekly on Mondays

Buddha In D’Hood

"Buddha" nature is inside each of us... The Hood aka Hoodie cloths, wraps, covering donned by people of all faiths throughout the world...how some are seen as sinister and others as holy. The "Hood" represent prejudice of Black&Brown&Indigenous folk called "Hoods" in inner cities/reservations/cement plantations in lower income areas juxtaposed with Upscale Neighborhoods with esoteric Spa Shop stops.

Michaelangelo Davis’ aka "MSAJID"s spiritual creative contributions includes serving as Producer, Playwright, Theater Director, Music Producer, Author, Singer, Musician, Composer, Poet, Painter, Photographer, Graphics Creator, Choreographer, Professional Dancer, Master Teacher, Activist & Mystic. 

For more than half a century he has shared these gifts throughout the World, in total Love for Humankind; in Reverence to The Divine within all Beings.  He is the Director and Writer of "WILLIE LYNCH, HERE & NOW, premiered in N.Y.C. & presently in process of re-producing it's much anticipated revival. 

His Paintings & Photographic Works are in Private Collections throughout Europe and The U.S.

Detroit born and based, MSAJID is forming his music vocal synergistic group "HUMMANITY"; a harmonic collective sharing the healing breath and depth of pure hearted t.ones.


As a teacher perhaps it is not too surprising that today I was thinking about social emotional learning and how it connects to social justice. Social emotional learning, broken down to its component parts, is a process children and adults go through of developing self-awareness, awareness of others, and awareness of the relationships between people. Throughout the stages of infancy, childhood, adolescence and adulthood, there are many distinct developments that happen, but that is the long and short of it. It often precedes empathy.

As it turns out, art can be an incredibly effective tool for helping to teach this. By connecting emotions with colors, figures, composition, and pattern, we can learn to recognize those emotions in ourselves. We can learn to recognize what causes them, and what soothes us when we need it. And we can even learn to recognize those same feelings in others.  

We have all had contentious conversations with someone, often a family member, about topics that to us seem obviously unjust but to them apparently seem par for the course and the way things should be. I once had a 3+ hour conversation during a car ride with a freshman year roommate (the son of a Russian immigrant who got mugged once in Baltimore on a pizza route) about why the statistics showing that black people are subject to more violence should not be interpreted as demonstrating that black people are more violent. At the end he said something like, "Zach, I appreciate that we could have such a level headed conversation about this, but despite your convincing arguments I still believe what I believe." I had enough privilege in that moment to stay in the car for the rest of the ride.

Now, I wasn't going to spend too much more of my time interacting with this guy than was absolutely necessary, and at 18 or 19 I think I really did give my best effort to demonstrate to him how his perspective was biased, but in retrospect I think more conversations about art might have been useful in gently nudging him toward more self-awareness. A simple statement like, in this painting, these colors make me feel angry; or, the composition of one figure standing over the other makes me feel frustrated at the imbalance; might have had a more significant long term impact. Certainly we should be making sure our young folks hear and participate in conversations like these so they can develop the tools to have more serious conversations about the state of their world and their position in it.  

As you read this week's Breathe post, I encourage you to ask yourself, how does this work make you feel? What does this particular word evoke? This line break, this color? And ask a friend or family member, too.  P.s. Here is a link to a video about SEL at the MoMA. 

Zach Charles, Co-Editor

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A column for you to share the actions you are taking to resist the erosion of our democratic institutions and practices and the rise of authoritarianism. We hope that sharing your stories will provide ideas and inspiration for others to take whatever action they are willing and able to take. Every individual action we take is part of a broad collective effort for justice. Please keep your stories to 150 words max and email to breatheeveryone@gmail.com. Feel free to include a photo of the action taken if appropriate.