A magazine focusing on the intersection of art and action
to create greater social, racial and economic justice
June/July 2025
Honoring George Floyd’s Life
New Posts
Published Weekly on Monday
New Cover Monthly
"A Dubious Light." by Cheryl Caesar
a gouache sketch done from a news photo.
See the attached poem by Cheryl Caesar titled “Three Windows”
Our editor, Zach Charles, said of this painting, ”the painting attached to the poem paints a good picture of the difficulty in reacting appropriately to such painful times, and the pain of being unable to tear your eyes away.”
We are an artistic community that recognizes the intersectionality of all injustices
and believes that art is essential to social change and more justice.
Click Here to Read All Weekly Posts in 2025
A weekly column for you to share the actions you are taking to resist the erosion of our democratic institutions and practices and the rise of authoritarianism. We hope that sharing your stories will provide ideas and inspiration for others to take whatever action they are willing and able to take. Every individual action we take is part of a broad collective effort for justice. Please keep your stories to 150 words max and email to breatheeveryone@gmail.com. Feel free to include a photo of the action taken if appropriate.

Easement Watercolor by Michael Moreth

New Language by Lew Jones

AccomplishedWatercolor by Michael Moreth

Social Metaphor by Lew Jones

AccomplishedWatercolor by Michael Moreth

'Hard Work and Good Intentions' by Lew Jones
By Cheryl Caesar
(What one reader said of Cheryl’s poem: your poem sent chills throughout my body! I love the juxtaposition of the moth and spider and the rally of people with wings of resistance~At first, it is only a blurring of wings,”
a frenzied sphere of movement. So fast
I cannot discern color or shape. Nearly all
its mass has turned to energy, vibrating
in the lower left corner of my kitchen window.
I go to lift the sash, and see
for the first time a small dark dot
gliding down the white frame, its eight
legs motionless. Arriving at the captive,
who is not trapped between panes, but tethered